La machine à écrire et autres sources de tracas

The final installment of the triptych initiated by Nicolas Philibert with On the Adamant (Golden Bear at the 2023 Berlin Film Festival) and followed by At Averroes and Rosa Parks - and likely the most intimate and moving of the three - continues its deep dive into the psychiatric center of Paris. This time, the filmmaker follows resourceful caregivers as they assist patients suddenly faced with a domestic issue - a broken appliance. Behind the camera, while remaining very present, Philibert allows events to unfold naturally, as he skillfully does. Through all these objects that are repaired, it is ultimately the people and their souls that are healed. The volunteers pay attention with respect, patience, and genuine interest in everyone's stories, needs, and worries. And they are filmed with similar care and attention. The film offers time and space for meandering conversations, internal monologues spoken out loud, unexpected guests, musical interludes, and long silences. A warm portrait and plea for compassion.—Thessaloniki Documentary Festival