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Sartoris

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7/10

1977

William Faulkner

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Pour pénétrer dans l'univers du vieux Sud qui hante l'œuvre de Faulkner, prix Nobel, la meilleure introduction est sans doute Sartoris. On y trouve le grand thème social de la décadence, après la guerre de Sécession. Dans une atmosphère lourde de cauchemars, pleine de souvenirs du passé et de mystères jamais élucidés, apparaissent les principaux personnages de la saga Faulknérienne et, au premier rang, ces Sartoris, héroïques et fanfarons, dont chacun, de mémoire de vivant, n'est mort de façon naturelle.

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2 avis
Lionel Jouffea noté ★ 9/10
2 février 2023

Sartoris is a novel, first published in 1929, by the American author William Faulkner. It portrays the decay of the Mississippi aristocracy following the social upheaval of the American Civil War. The 1929 edition is an abridged version of Faulkner's original work. The full text was published in 1973 as Flags in the Dust. Faulkner's great-grandfather William Clark Falkner, himself a colonel in the American Civil War, served as the model for Colonel John Sartoris. Faulkner also fashioned other characters in the book on local people from his hometown Oxford. His friend Ben Wasson was the model for Horace Benbow, while Faulkner's brother Murry served as the antetype for young Bayard Sartoris Synopsis The novel deals with the decay of an aristocratic southern family just after the end of World War I. The wealthy Sartoris family of Jefferson, Mississippi, lives under the shadow of its dead patriarch, Colonel John Sartoris. Colonel John was a Confederate cavalry officer during the Civil War, built the local railroad, and is a folk hero. The surviving Sartorises are his younger sister, Virginia Du Pre ("Aunt Jenny" or "Miss Jenny"), his son Bayard Sartoris ("Old Bayard"), and his great-grandson Bayard Sartoris ("Young Bayard"). The novel begins with the return of young Bayard Sartoris to Jefferson from the First World War. Bayard and his twin brother John, who was killed in action, were fighter pilots. Young Bayard is haunted by the death of his brother. That and the family disposition for foolhardy acts push him into a pattern of self-destructive behavior, especially reckless driving in a recently purchased automobile. Eventually young Bayard crashes the car off a bridge. During the convalescence which follows, he establishes a relationship with Narcissa Benbow, whom he marries. Despite promises to Narcissa to stop driving recklessly, he gets into a near wreck with old Bayard in the car, causing old Bayard to die of a heart attack. Young Bayard disappears from Jefferson, leaving his now pregnant wife with Aunt Jenny. He dies test-flying an experimental airplane on the day of his son’s birth. —- ChatGPT Perhaps he was dead, and he recalled that morning, relived it with strained attention from the time he had seen the first tracer-smoke until, from his steep bank, he watched the flame burst like the gay flapping of an orange pennon from the nose of John’s Camel and saw his brother’s familiar gesture and the sudden awkward sprawl of his plunging body as it lost equilibrium in midair; relived it again as you might run over a printed, oft-read tale, trying to remember, feel, a bullet going into his own body or head that might have slain him at the same instant. That would account for it, would explain so much; that he too was dead and this was hell, through which he moved for ever and ever with an illusion of quickness, seeking his brother who in turn was somewhere seeking him, never the two to meet. -> summary The narrator is reflecting on a memory of his brother's death in a plane crash during World War I. He ponders if he himself might be dead and if this afterlife is hell, in which he and his brother are forever searching for each other without ever being able to reunite. —— “And you better thank de good Lawd fer makin’ yo’ haid hard ez hit is. You go’n git dat mare, and save dat nigger freedom talk fer town-folks: dey mought stomach it. Whut us niggers want ter be free fer, anyhow? Ain’t we got ez many white folks now ez we kin support?” —— “The law, like poetry, is the final resort of the lame, the halt, the imbecile, and the blind. I dare say Caesar invented the law business to protect himself against poets.” —— Miss Jenny, being a true optimist—that is, expecting the worst at all times and so being daily agreeably surprised—promptly disillusioned him. —— But that was November, the season of hazy, languorous days, when the first flush of autumn is over and winter beneath the sere horizon breathes yet a spell—November, when like a shawled matron among her children, the year dies peacefully, without pain and of no disease. Early in December the rains set in and the year turned gray beneath the season of dissolution and of death. All night long and all day it whispered on the roof and along the eaves. The trees shed their final stubborn leaves in it and gestured their black and sorrowful branches against ceaseless vistas; only a lone hickory at the foot of the park kept its leaves, gleaming like a sodden flame on the eternal azure, and beyond the valley the hills were hidden by a swaddling of rain. —- Above him the pines, though there was no wind in them, made a continuous dry, wild sound, as though the frost in the air had found voice; above them, against the high evening blue, a shallow V of geese slid.

Martial Charbonnela noté ★ 5/10
20 novembre 2022

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